Thursday, December 17, 2015

fossiliferous, again

Image Credit: Nicola Marshall

Introduced already in an earlier post, but this one I think deserves another look.

Writing on "The Language of Moby-Dick," Maurice S. Lee cites the word fossiliferous with other examples of Melville's "extraordinary language that is simultaneously archaic and fresh":
" 'Fossiliferous' is one of many abstruse terms that Melville lifts from specialized fields." --Maurice S. Lee in A Companion to Herman Melville (Wiley-Blackwell, 2006; paperback 2015) edited by Wyn Kelley.
Moby-Dick (1851):
"... it now remains to magnify him in an archaeological, fossiliferous, and antediluvian point of view."  --Moby-Dick, Chapter 104, The Fossil Whale
 Scenes Beyond the Western Border, August 1852:
"—all by the light of your chronological, fossiliferous, infernal shell!"
"Scenes Beyond the Western Border" (August 1852)

Significant revisions to the August 1852 dialogue on paleontology between "C." and "F." (shown above) in the 1857 book version (shown below) include: 
  1.  removing the self-reflexive allusion to the writer's journal
  2. adding the oxymoronic jokes of being "decidedly non-committal" and, later on, of having a "profound smattering" of the subject at hand (paleontology).
  3. thoroughly re-working "a thousand miles from a library" to read, "amid all the charm of a complete laisser aller in a glorious wilderness, a thousand miles from all the schools of pedantic, groping, and guessing philosophy." 
  4. deleting sentence containing the word "chronometry." 
  5. revising F. (which in the magazine version stands for "Frank") to "Friend." Similarly, all references to "I. F." for "Imaginary Friend" have been revised throughout Part II of the 1857 book version to read simply, Friend
Scenes and Adventures in the Army, page 360

Related post:

Friday, November 6, 2015

Cooke's unaffected writing style in From Everglade to Cañon with the Second Dragoons



Besides extant family correspondence, army reports and documents (for example, Letters to the Adjutant General) and official journals, good evidence for the usual writing style of Philip St. George Cooke appears in a section of Rodenbough's From Everglade to Canyon titled "Personal Recollections." In one passage Cooke ventures to describe what he considers a dramatic and even "romantic" episode from the Apache War of 1854. In unaffected prose, Cooke describes the 1854 engagement with Jicarilla Apaches and killing of their leader, Lobo Blanco or "White Wolf." Cooke does not say and may not have known that White Wolf's daughter had been kidnapped and killed before the widely reported massacre of the White family.
Lieutenant David Bell, of our regiment—whose early death was a great loss to the whole service—was very conspicuous in extraordinary marches and in action. He was an accomplished horseman and shot. I have seen him, in a run of a quarter of a mile, kill or stop five buffaloes! In partisan war—all he lived to see—he was admirable, and a rare compound of bravery and prudence.

Of these Apaches a chief named White Wolf had been head man in an atrocious tragedy—that of a Mrs. White and family, whose fates thrilled the public sensibilities.

It was Bell's fortune to avenge them, and in an extraordinary manner. The action might be called dramatic, or perhaps romantic, and I hesitate to attempt its description.
He was on a scout with his company (H) from Fort Union, about seventy miles eastward, near “Red River” (Cimarron), but perhaps thirty miles below the great road-crossing. He had less than thirty men, and met nearly the same number of Indians. At that stage of operations a parley was in order.

Bell had assigned his baggage-mules to the charge of five or six men, and held a mounted interview with White Wolf, who stood in front of twenty-two Indians on foot, well armed and in line. Bell was in front of his troopers, who were about twenty paces from the Indians—exactly equal in number and extent of line. Both parties were prepared to use fire-arms.

The parley was almost tediously long, and this duel had arranged itself as described. White Wolf was very bold, and became defiant. At last—the chief sinking on one knee and aiming his gun, and fell throwing his body forward and reining up his horse—they exchanged shots. Both lines, by command, followed the example, the troopers, however, spurring forward through or over their enemies. The warriors mostly threw themselves on the earth, and several vertical wounds were received by horse and rider. The dragoons turned short about, and again charged through or over their enemies, the fire being continued. Turning for a third charge, the surviving Indians were seen escaping to a steep and deep ravine, which, although only one or two hundred paces off, had not previously been discovered. A number thus escaped, the horsemen having to pull up at the brink, but sending a volley after the descending fugitives.

In less than five minutes, in this strange combat, twenty-one of the forty-six actors were killed or wounded. Bell was not hit, but four or five of his men were killed or wounded. He had shot White Wolf several times, and afterwards others did so; but so tenacious of life was he that, to finish him, a man got a great rock and mashed his head. One of the baggage-guard, against positive orders, left the mules, and charging, sabre in hand, split in two the skull of an Apache, and the next instant was himself shot dead.

It was then discovered that there were more Apaches in the vicinity, and, weakened and embarrassed by the wounded, Bell immediately concluded to send for assistance. About two P.M., accordingly, he sent his first sergeant (Lawless), a famous rider and woodsman, with a pencilled report to me at Fort Union. At ten o'clock in the night he was in my quarters—by any road or trail it was seventy miles! The quarters, the stables, and corral were then scattered over a great prairie space—some were a quarter of a mile apart. It was necessary to arouse nearly everybody; the surgeon to prepare with instruments, etc.; the quartermaster, to get ready an ambulance; a dozen troopers to be equipped and mounted on the best invalid horses. At noon that day this reinforcement, surgeon, and ambulance met Bell at the road-crossing of Red River, forty miles from the fort.  --From Everglade to Canyon
The plain style of narrative description in Cooke's "Personal Recollections" contrasts markedly with the romantic and poetical style of Scenes and Adventures in the Army, especially the second part which is based on the 1851-1853 magazine series, Scenes Beyond the Western Border. One easy way to see the difference is by the absence of figurative language. Unless I'm missing something, I don't find a single metaphor in the passage above. It's all literal and to the point.

By contrast, "Scenes Beyond the Western Border" is notable for its romantic sensibility. Metaphors abound, not to mention numerous dialogues with an imaginary prairie friend:
" Amigo mio, my dreams are — not what they were ! — Well, the night passed quietly enough, though I was disturbed by the coming in of women and children; and right early I got over my other horses and men, and — a breakfast.

" I sallied forth then, ripe for adventures. I 'scoured,' as was right, the three miles of open forest — we have to borrow this word from the scullery, while the French say, euphoniously, eclairer — then emerged upon prairies, and soon reached a lofty hill-top.
"O! how beautiful and fresh was all before me! It was a surprise; not a trace of man blurred the expanded view, where free Nature had tried her genial hand. It was the year's prime; sparkling under the early sun, were meadows and murmuring streamlets; glades, where sported herds of deer; grassy slopes swelling to smooth hillocks; old oaks, here expanded in solitary magnificence, — there, disposed like garlands on the gentle hills; and again, gathered in imposing groves. Strangely beautiful in the midst were two hill-cones, rising like a triumphal gate, from forest bases. Far extended hill and dale and plain, until lost in the blue slopes of a mountain range; and about its airy outline clustered the rosy morning clouds..."
--September 1852 Scenes Beyond the Western Border; and Scenes and Adventures in the Army



Sunday, November 1, 2015

"whether of" this or that

July 27th.—We have had the pleasure of marching to-day 22 miles over a baked white clay surface, accompanied under the broiling sun by a breeze which very gently enveloped us, as in a secondary atmosphere—with dust which gave to all a semblance, not strictly defined, whether of millers or hodmen.  --August 1853 Scenes Beyond the Western Border; and Scenes and Adventures in the Army
Photo Credit: Claudia's Page
...he addressed them in unusual terms, whether of condescension or in terrorem.... --Moby-Dick
 So, through long previous generations, whether of births or thoughts, Fate strikes the present man.  --Pierre
... the lasting bar to real amelioration, whether of individuals or of the world.  --The Confidence-Man

Wednesday, October 28, 2015

"of the sort called_____"


With an effect of bathos, sort of:
To-day we still followed up Cherry Creek, or its dry sands; but towards noon, it came running to meet us; and there were the patronymic cherries,—or rather the bushes; and of the sort called choke-cherries.  --May 1853 Scenes Beyond the Western Border; and Scenes and Adventures in the Army
It was one of the first of the chill nights in autumn. There was a fire on the hearth, burning low. The air without was torpid and heavy; the wood, by an oversight, of the sort called soggy.  --I and my Chimney, March 1856

Wednesday, September 30, 2015

summer mornings, unwanted in revision

Here's something I need to add to the catalog of words or phrases that appear in Melville's Moby-Dick (1851) or Pierre (1852) and the 1851-1853 magazine series "Scenes Beyond the Western Border" but were later deleted or somehow revised out of the book version, Scenes and Adventures in the Army (1857). Previous Dragooned posts listing similarly deleted items are

Looking harder at revisions to the May 1853 installment of Scenes Beyond the Western Border, I see the expression "summer mornings" does not appear in the 1857 book version.

May 1853:
"But, as in summer mornings when birds sweetly sing, and rosy mists add beauty to the fair prospect, the sun rises to give a magic brilliancy to all,—scattering diamonds and pearls upon the dewy green,—so, always to such happy scene, the smile of one, must give the light of enchantment!"  --May 1853 Scenes Beyond the Western Border 
No exemplary "summer mornings" appear after revision. Instead of multiple "summer mornings," we get the single representative "summer dawn," now (with the help of "rosy" transplanted from the earlier expression "rosy mists") a "rosy summer dawn":
The rosy summer dawn is lovely, and sweetly the birds sing in its praise;—but lo! the sun appears, and gives a magic brilliancy to all,—scattering diamonds and pearls upon the dewy green;—so, always to such pleasant scene, the smile of one, must give the light of enchantment!   --Scenes and Adventures in the Army
Revised out of the May 1853 text, the unwanted reference to "summer mornings" occurs in the first sentence of Melville's Pierre, first published in August 1852.
THERE are some strange summer mornings in the country, when he who is but a sojourner from the city shall early walk forth into the fields, and be wonder-smitten with the trance-like aspect of the green and golden world. Not a flower stirs; the trees forget to wave; the grass itself seems to have ceased to grow; and all Nature, as if suddenly become conscious of her own profound mystery, and feeling no refuge from it but silence, sinks into this wonderful and indescribable repose.  --Pierre, or, The Ambiguities

Tuesday, September 29, 2015

Upon my word

I. F. "Well done! But I can make more of it; did you not hear the sequel?"
C. "Upon my word I have not; it is rather soon [1857/9: "what can you mean?"]."
--April 1852 Scenes Beyond the Western Border; and Scenes and Adventures in the Army p288
F.—"Hillo! what are you about? Writing in tune with the merry cotton-wood leaves? You will have to frankly confess you have invented a new style."
C.—"Upon my word I was becoming as curious as yourself; a first unfortunate line set the jingle agoing, and I could not stop it...." 
--Scenes Beyond the Western Border, May 1853; and Scenes and Adventures in the Army
Image Credit: Leslieville History
Upon my word were I at Mackinaw, I should take this to be the inside of an Indian wigwam.  --Moby-Dick, or, The Whale

"Thou art a man of God, sir, I believe."
"I? I? I? upon my word, Mr. Glendinning!"  --Pierre, or, The Ambiguities

"I think he is a little deranged," said I, sadly. 
"Deranged? deranged is it? Well now, upon my word, I thought that friend of yourn was a gentleman forger; they are always pale and genteel-like, them forgers.
--Bartleby the Scrivener
"I see, I see. But of course you read Tacitus in order to aid you in understanding human nature—as if truth was ever got at by libel. My young friend, if to know human nature is your object, drop Tacitus and go north to the cemeteries of Auburn and Greenwood."
"Upon my word, I—I—"  --The Confidence-Man

Sunday, September 27, 2015

But as in...—so,...!

But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety!  --Moby-Dick, The Lee Shore

"But, as in summer mornings when birds sweetly sing, and rosy mists add beauty to the fair prospect, the sun rises to give a magic brilliancy to all,—scattering diamonds and pearls upon the dewy green,—so, always to such happy scene, the smile of one, must give the light of enchantment!"  --May 1853 Scenes Beyond the Western Border
Look at this, will you? The nifty parallelism nearly vanishes in revision:
The rosy summer dawn is lovely, and sweetly the birds sing in its praise;—but lo! the sun appears, and gives a magic brilliancy to all,—scattering diamonds and pearls upon the dewy green;—so, always to such pleasant scene, the smile of one, must give the light of enchantment!   --Scenes and Adventures in the Army
Although the "so" clause remains in the book version, the distinctive sentence-starter "But as in" has been eliminated. After revision, the formerly dependent first clause is now independent.

Yikes!

Image Credit: ewallpapers-hub.com